No menu items!

All ACE Award nominees

Share This Post

- Advertisement -

Nominations for the ACE Theater Awards announced for the 2021/2022 season. There would be the awards ceremony at the National Theater, Wednesday 9 November.

- Advertisement -

There are a total of 30 articles and among the text works, both in comedy and in theater, stand out among others immature, crazy auction, The kiss of the spider women, Who is Clara Wick?, Soon, the prisoners, Scalabrini Ortiz, closer, ART Y appeal for protection.

in musical theater, Come from afar, Thoroughbred, So … I’m back Y I give peace to the barbarian.

- Advertisement -

Here are all the applications, article by article.

Author / Author

Ariana Harwicz for “Precoz”, Betty Gambartes and Diego Vila for “Who is Clara Wieck?”, Florencia Aroldi for “Scalabrini Ortiz”, Hugo Barcia for “Camille, la maldita”, Mariano Tenconi Blanco for “Las captives”

Drama

“The Kiss of the Spider Woman”, by Manuel Puig, “The appeal for protection”, by Laura Oliva, “Juana lives”, taken from the book: “Trial for Juana Azurduy”, by Andrés Lizarraga, Vassa, by Máximo Gorki

actress in the theater

Alejandra Darín for “Scalabrini Ortiz”, Annie Dutoit Argerich for “Who is Clara Wieck?”, Julieta Díaz for “Precoz”, Lorena Vega for “Las captives”, Luisa Kuliok for “Juana vive”, Sofía Gala Castiglione for “Closer”

actor in the drama

Humberto Tortonese for “Vassa”, Juan Gil Navarro for “Closer”, Oscar Giménez for “The Kiss of the Spider Woman”, Marcos Montes for “Recurso de amparo”, Pablo Pieretti for “The Kiss of the Spider Woman”, Pablo Razuk by Scalabrini Ortiz

Direction of the drama

Betty Gambartes for “Who is Clara Wieck?”, Javier Daulte for “Recurso de amparo”, Lorena Vega for “Precoz”, Mariano Tenconi Blanco for “Las captives”, Sebastián Berenguer for Scalabrini Ortiz, Valeria Ambrosio for “El beso de spiderwoman “

Comedy

“Dos locas de remate”, by Ramón Paso, “El reproche”, by Víctor Hugo Morales, “Immature”, by Juan Vera and Daniel Cúparo, “Comedy is dangerous”, by Gonzalo Demaría, “The pipe of peace”, by Alicia Muñoz, “Lapponia”, by Cristina Clemente and Marc Angelet, “The Dogs”, by Nelson Valente, “My mother, my girlfriend and I”, by Mechi Bove

actress in comedy

Betiana Blum for “The Peace Pipe”, Graciela Tenenbaum for “My Mother, My Girlfriend and I”, Laura Oliva for “Lapland”, Maria Fiorentino for “The Dogs”, Paola Barrientos for “Comedy is Dangerous”, Soledad Silveyra for ” Two crazy girls “, Verónica Llinas for” Two crazy girls “

actor in comedy

Adrian Suar for “Immature”, Claudio Rissi for “Dogs”, Diego Peretti for “Immature”, Fernán Mirás for “ART”, Jorge Suárez for “Lapland”, Sebastián Presta for “My mother, my girlfriend and me”, Sergio Surraco for “The pipe of peace”

direction of the comedy

Ciro Zorzoli for “Comedy is dangerous”, Diego Reinhold for “My mother, my girlfriend and I”, Manuel González Gil for “Dos locas de remate”, Mauricio Dayub for “Immaturo”, Nelson Valente for “Laponia”, Ricardo Darin and Germán Palacios for “ART”.

Actress and supporting actor in drama and / or comedy films

Carla Pandolfi for “Immaturo”, Fernanda Metilli for “Immaturo”, Horacio Acosta for “Comedy is dangerous”, Mariano Mazzei for “Comedy is dangerous”, Patricia Echegoyen for “Immaturo”, Roberto Castro for “Comedy is dangerous”

Female performance in a comedy for a single character

Eleonora Wexler for “Mary para Mary”, by Paloma Pedrero, directed by Marcelo Moncarz (Picadero), Marcela Ferradas for “Yuna soy yo”, adaptation by Marcela Ferradas of “Las primos”, by Aurora Venturini, directed by Horacio Peña (Nun Theater), María Seghini for “Juana la loca”, by Pepe Cibrián Campoy, directed by Ana Padilla (Patio de Actores), Marta Lubos for “A Margarita”, by Carlos Be and directed by Pablo Di Paolo (Theater Complex Itaca), Raquel Ameri for “Rota”, by Natalia Villamil and directed by Mariano Stolkiner (The stranger), Zuleika Snal for “Camille la Maldita”, with the dramaturgy by Hugo Barcia, directed by Manuel Callau (El tinglado)

Male performance in a comedy for a single character

Daniel Casablanca for “Discepolín fanatico harlequin”, with dramaturgy by Daniel Casablanca and directed by Guadalupe Bervih at Leónidas Barletta Experimental Space, Horacio Roca for “Tibio”, with dramaturgy and direction by Mariano Saba (Moscow Theater), Julio Feld for “Homage party “, by Adriana Tursi, directed by Leopoldo Minotti (Espacio Jufré), Marcos Montes in” El hombre desteel “, written and directed by Juan Francisco Dasso (Espacio Callejon), Pablo Finamore for” Olvídate del Matadero “, by Pablo Finamore and Claudio Martinez Bel, directed by Claudio Martinez Bel (Teatro del Pueblo), Pompeyo Audivert for “Habitación Macbeth”, with dramaturgy and direction by Pompeyo Audivert (CCC)

comedy

“The critical flesh 20 years is a long time”, by Claudio Pazos, Carlo Argento and Francisco Pesqueira (Apolo), “Il perdono”, by and by Andrés Caminos and Gadiel Sztryk, Los Sutottos (The carpentry), “What does a girl like me in an era like this “, by Gabriela Acher (Regina),” The Moldavsky method “, by Roberto Moldavsky (Apolo)

Musical

“I give peace to the barbarian”, by Pablo Gorlero (Picadero), “From this side I come back”, by Alejandro Lavallén, Aníbal Pachano and Georgina Tirotta (Regina), “Come From Away”, book, music and songs by Irene Sankoff and David Hein (Maipo), “Del barrio la mondiola”, by Jorge Lorenzo (May 25), book “Madres”, lyrics and music by Sue Fabisch (Picadero), “Pure blood, love is a monster”, with lyrics by Jorgelina Aruzzi (Comafi Multitabar)

Female performance in the musical

Ana María Cores for “Far glow of the moon”, Griselda Siciliani for “Puntosangue, love is a monster”, Josefina Scaglione for “Dracula”, Marisol Otero for “Come From Away”, Melania Lenoir for “Come From Away” , Sabrina Garciarena for “Mothers”

Male performance in the musical

Anibal Pachano for “Asi … Vuelvo”, Carlos Ledrag for “Del barrio la mondiola”, Edgardo Moreira for “Come From Away”, Julián Pucheta for “I give peace to the barbarian”, Pablo Sultani for “Come From Away”, Sebastian Holz for “Come from afar”

musical direction

Anibal Pachano and Georgina Tirotta for “From this side … I’m back”, Carla Calabrese, for “Como From Away”, Jorgelina Aruzzi and Carlos Casella, for “Puntosangue”, Leonardo Nápoli for “Long glow of the moon”, Mecha Fernández for “From the neighborhood la mondiola”, Pablo Gorlero for “I give peace to the barbarian”

musical direction

Angel Mahler for “Dracula, farewell”, Gustavo Calabrese for “Here’s how … I’m back”, Carlos Gianni for “My Imaginary Gift”, José Luis Castiñeira de Dios for “Far Glow of the Moon”, Santiago Rosso for “Come From Away”, Teo López Puccio for “Untypical Family and the Evil Cloud”

Alternative theatrical show

“Babel kitchen”, by Patricia Suárez and Rita Terranova (El tinglado), “Cosméticos” by Bernardo Carey (Del Pueblo), “Los otros Duarte”, by Gastón Quiroga (Del Pueblo), “Witness light”, by Javier Daulte ( Espacio Callejón), “Pajarita”, rewriting of “Three hundred million”, by Roberto Arlt, by Guillermo Parodi (Del Pueblo), “Stefano”, by Armando Discépolo (The Mask)

Female show in alternative theater

Cecilia Sgariglia for “The other Duartes”, Elena Petraglia for “Stefano”, Lorena Szekely for “Pajarita”, Marita Ballesteros for “Love is back”, Roxana Randón for “Cosméticos”, Victoria Almeida for “Like a bitch in a field”

Male performance in alternative theater

Daniel Miglioranza for “The General’s Women”, Jorge Paccini for “Stefano”, Norberto Gonzalo for “Stefano”, Pablo Mariuzzi for “Pajarita”, Ramiro Delgado for “Witness Light”, Rubén Stella for “La revancha”

Alternative theatrical direction

Guillermo Parodi for “Pajarita”, Helena Tritek for “Suite Chejov”, Marcelo Velásquez for “Los otros Duarte”, Osmar Nuñez for “Stefano”, Rita Terranova for “Babel Cocina”, Sebastíán Irigo for “Come back to love”

show for children

“Stories and songs of María Elena Walsh”, based on the books by Maria Elena, dramaturgy and direction by Chacho Garabal (Astros), “Unplugged-Trapped in the nets”, by Flor Yadid and Ariadna Faerstein (Picadero), “El Gato with boots “, taken from the classic story by Charles Perrault, dramaturgy and direction by Chacho Garabal (Astros),” Familia no type y la Nube Maligna “, by Mariana Chaud and Gustavo Tarrío (Nacional Cervantes),” Mi Don imaginario “, with the dramaturgy and direction by Pablo Gorlero (De la Ribera), “Sueño”, with the dramaturgy and direction of Emiliano Dionisi for “Compañía criolla” (May 25)

Choreography

Agustín Pérez Costa for “Come From Away”, Georgina Tirotta for “So … I go back”, Luciana Acuña for “Family not a type and the evil cloud”, María Maxwell for “Mothers”, Marina Szvartzman for “I give peace to the barbarian “, Mecha Fernández for” From the neighborhood la mondiola “

Scenography

Cecilia Zuvialde for “Vassa”, Diego Siliano for “Comedy is dangerous”, Gastón Jouvert for “Who is Clara Wieck?”, Jorge Ferrari for “Immaturo”, Mariana Tirantte for “The untypical family and the evil cloud”, Tadeo Jones for “Come from afar”

Lightning

Belén Rivero for “Vassa”, David Seldes for “Who is Clara Wieck?”, Eli Sirlin for “Comedy is Dangerous”, Gonzalo González for “Come From Away”, Horacio “Chino” Novelle for “Habitación Macbeth”, Matías Canoni and Favio Neck for “So … I’ll be back”

original music

Ana Foutel for “Juana la Loca”, Carmen Baliero for “Vassa”, Gaby Goldman for “Laponia”, José Luis Castiñeira de Dios for “Far glow of the moon”, Marcelo Katz for “Comedy is dangerous”, Sergio Vainikoff for “Scalabrini Ortiz”

Locker room

Alejandro Mateo for “Scalabrini Ortiz”, Endi Ruiz for “Familia no type y la Nube Maligna”, Graciela Galán for “Who is Clara Wieck?”, Julio Suárez for “Comedy is dangerous”, Laura Singh for “Lapland”, Magda Banach for “Vassa”

feminine and masculine revelation

Argentino Molinuevo for her interpretation in “Come From Away”, Greta Halperin for her interpretation in “Familia no type y la Nube Maligna”, Macarena Del Mastro for the text of “Somos Nosotros”, Patricio Gonzalo for her interpretation in ” Stephen”

Production

Angel Mahler for “Dracula, farewell”, Buenos Aires Theater Complex for “Who is Clara Wieck?”, Sebastian Blutrach for “Lapland” and “The Dogs”, Suar & Laviaguerre for “Inmaduros”, Cervantes National Theater for “Comedy is Dangerous “and” Family Not Kind and the Evil Cloud “, The Stage Company for” Come From Away “

POS

Source: Clarin

- Advertisement -

Related Posts