In a dizzying rise and growth of popularity that seems to never stop, Wos filled a football stadium for the first time and summoned more than 25,000 fans on Friday night. Repeat today, which will bring the total to 50,000, more than one show in Vélez and just under one in River. a tremendous numberreserved for a small Olympus of Argentine artists who now have him among his peers.
The recital was not only a demonstration of summoning power, but also a complete display of it talent, charisma and qualityaccompanied by a powerful rock band, as well as a guest list that included characters such as Ricardo Mollo and Nicki Nicole, Ca7riel and Acru.
And as if all this were not enough, the staging was spectacularat the height of the best national and international numbers that have played in the stadiums in Argentina.
A giant stage, huge video screens, a catwalk, special effects and a rarely seen light showwith a grid of lights capable of descending and ascending whole or in half, also serving as a platform to lift Wos into the air and sing from above.
A good start
How could it be otherwise, the start was pure adrenaline. The lights went out at 9:30 pm and the video screens started showing live panoramic images taken with a drone. The silhouette of a lighthouse was projected illuminating the people, the band got up and suddenly Wos appeared and left vultures Y light of crimewith an indescribable energy like rock.
“How good it is to be at home, crazy!” he exclaimed before creating a more rhythmic theme like that Andromeda and the syncopated rhythm of convoy of revelry.
“How nice to have you all here!” He added before Okupa’s midtempo, where his guitarist (and producer) Facundo “Evlay” Yalve shone with a great solo.
Variety of climates and succession of successes
the slow dynamite soul It was a great time of the night and the atmosphere was enhanced by the effect of lowering the entire light grid, a fact that was repeated in full of sapphireswhere a trio of twenty has been added.
Speed and breakneck rap are back with how disgusting, which had a very jazzy instrumental ending with wind arrangements. There was also another guest, Ivanna “Chipi” Rud on guitar.
“Thanks always for the stamina, crazy!” Wos thanked him with a face of happiness and joy.
The fun was spreading from the stage at all times, as in Freddo, when six giant balls were thrown into the audience and the singer put together a short chorus with bassist Natasha Iurcovich. Melanie Williams was also on percussion, another special guest.
The funk came with change skinwhere added Nicky Nicole and they sang together on the walkway that advanced towards the center of the field. Eventually, there was a shower of glossy sheets and the image of the party lasted for several minutes as they continued to float in the air.
There was a short freestyle performance with base funk and slow Crystal wall It was the end of the first part.
Previews, intimacy and more energy
again with face of uncontrollable joyWos thanked people once again: “How nice, that. Thanks for this meeting” and started Look mom, sitting on a stool and with a set of ropes behind. It was another of the highlights of the evening.
Then he announced a song “to be played for the first time in Argentina”, also with strings. Is called something from the voidfrom the EP Three points (2020), with phrases like “I’m not a god and I can’t be, even if he wears his dress to look like us. That’s why I’m looking at the sky, could it be that I always miss my flight?”).
In rip it his brother Manuel joined the guitar, keeping the strings. Another postcard of a perfect nightwho deserved a new thanks: “Thank you for allowing this beautiful ritual in the midst of so much chaos”.
Suddenly, finally, Wos did a beatbox rhythm and starred in a duel with drummer Tomás Sainz, who then let him solo, until the band returned and exploded into an almost punk-rock version of 40.
Already with time and maximum strength, the blow has come that improve, dedicated “to all the mean ones of the heart”. He closed it with fireworks and the most freestyle section of the evening arrived: he invited “some friends who have a lot to do with my beginnings”, and they uploaded the beatmaker DJ areathe former Fifth Step klan and the popular acru.
The battle included several compliments, such as closing the Klan with “I’m proud, you deserve it again” and Acru’s affectionate closing: “This is yours, Wosito.” As the figure of the night said, it was “a little free style to chase away death“.
Alone with Acru, they did Animal and another short intermission arrived, in which Wos was seen on the screens leaving his muscular shirt aside to wear a suit and the character’s hairpiece in his video clip. Kangaroo.
He returned to the stage before a new general ovation and after the intro he got rid of the sack and kicked the podium of his speech, while the fireworks exploded and smoke and flames released.
the final stage
An hour and a half of the show had already passed, but it was yet to come. The video screens were thrown open and a balcony-like platform was exposed, where the afrosound choir, with good evangelical garments. They were twelve and they were soloists, and they performed with an amazing version of Dirty.
After another break to move, they arrived black circles Y Black catThat he sang standing on the grid of lights that lifted him high.
The next topic was malambo Faultwhere it was eventually added Ricardo Mollowho sang a few lines and played a great guitar solo.
“I am speechless; we are reaching a final stretchWos said before listing a long list of thanks that included introducing his band, completed by Fran Azorai on keyboards.
closed with melon wine and for the encore the powerful was reserved Fat child next to Ca7riel Y Viola. anthological.
In just three years, Wos went from making his live debut at Groove as a solo and young freestyle revelation, to quickly filling a Luna Park and reasserting his power in four post-pandemic Obra at the end of last year.
Meanwhile, he toured the country, won Gardel awards, performed overseas and was a figure at festivals such as Cosquín Rock and Lollapalooza. An unstoppable climb that seems to have no limitsboth in the growth of the appeal and in its fascinating musical evolution.
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Source: Clarin
