Some have successfully passed the Buenos Aires bill last year and, for this, they return. Others did it a long time ago and are celebrating an anniversary, which is another good excuse to get back on stage. This way, there are some jobs announcing their reruns for this month. Here, a review of some of them.
a house full of water
The first play written by tamara tenenbaumwith Violeta Urtizberea, directed by Andrea Garrote, It places its plot in the 90s.when Milena, a young Biology student, starts working as a nanny in the home of a wealthy family.
Over there Milena will tell Angie, the little girl she takes care of, about her life in real time: their fears, their love stories, their fantasies and the knot where all those lines intersect, the question of an uncertain future.
Translation
The show written and directed by Matías Feldman and produced by the Teatro Nacional Cervantes, presented to a full house since its premiere in 2022, lands at the Metropolitan. comedy is set in 1960s West Germany. The Meier sisters, heirs of a family belonging to the industrial bourgeoisie, create a revolutionary group and go underground.
The performances are on Tuesdays, starting next February 14, at the Metropolitan Sura, Av. Corrientes 1343. Tickets: $3,800.
This work has received several awards. Moreover, its leading lady, Raquel Ameri, was awarded for her moving performance as the mother of a feminicide. After her successful passage through the independent circuit, from Tuesday 7 February, she goes to a room in the middle of Calle Corrientes, on Paseo La Plaza.
Written by Natalia Villamil and directed by Mariano Stolkiner, this one man show tells of a woman trying to rebuild her existence, after the death of his son, who committed suicide after killing his girlfriend. One of the keys to the impact of work is the different point of view of an extremely topical issue.
the prisoners
Written and directed by Mariano Tenconi Blanco, this work has already gone through the official circuit, where it was a success, before moving on to the commercial circuit, where Now it will reopen, from Saturday 11 Februaryalso at the Met.
Laura Paredes and Lorena Vega are the protagonists of this first saga of four works by the director together with the Compagnia Futuro Teatro. In this case, two women from completely opposite worlds are presented as a refoundation that offers a completely new point of view on 19th century Argentine history.
Performances are Saturdays and Sundays at 5:30pm at Metropolitan Sura, Av. Corrientes 1343. Tickets: $3,600.
hell
From Raphael Spregelburg, with Andrea Garrote, Violeta Urtizberea, Guido Losantos and live music by Nicolás Varchausky, this show was the playwright and director’s first to enter the commercial circuit last year. Now, from Wednesday 15 February, it reopens at the Astros Theater.
Regard a text commissioned from Spregelburd by the Vorarlberger Landestheater Bregenz of Austria to commemorate the 500th anniversary of the death of the painter El Bosco, author of The garden of delights.
Inspired by the eternal amazement of that colorful, playful, moral, prophetic painting, the author draws a complex labyrinth about sin, guilt, virtue and torture of the soul.
what does the river do
After a successful season, from Thursday 23 February will return to the Sala Cunill Cabanellas of the Teatro San Martín the work written and directed by María Marull and Paula Marull. The sisters also star in the cast in an interesting mirror role-playing game..
Amelia is overwhelmed, lost between objects and obligations, and her father’s death forces her to return to the town where she spent her childhood: an empty stage where nothing is as I remembered it; except for the river, which will invite her to recognize herself in her reflection or to dive to the bottom.
Performances are held Wednesday through Sunday at 7:30pm in the Sala Cunill Cabanellas of the Teatro San Martín, Av. Corrientes 1530. Tickets: from $1,300.
black ice
On Friday 17 February the opera by Luciana Acuña and Luis Biasotto returns to the Teatro Sarmiento, directed by Acuña: sets a dream scenario for four artists who barely make sense of their actions in a vacuum, into the abyss, where they don’t know who they are. In any case, they trust in magic.
Source: Clarin
