Madness for Dillom: rapper showed Post Mortem mimicking a funeral at Vorterix

“People confirmed. Both performances sold out within four minutes.. It’s unreasonable. ”This is how Dillom expressed on his social networks his amazement at what the two had accomplished. gone in record time. Two Vorterix and an immediate response: everyone wants to be there.

The Post Mortem experience was exposed at the Lollapalooza 2022 festivalwhich became a fixture for many new curious people who caught on to the artist’s proposal and to build loyalty to those who followed him from the underground scene.

Soon came the praise of those consecrated to the music scene. The picture and words of encouragement from Fito Páez hugs Dillom in ‘cholulu’ mode. Emmanuel Horvilleur’s definition of rapper. Overnight, the rocketpower started making noise until it caught everyone’s attention.

Post Mortem Experience

Dylan León Mas -his real name- was born on December 5, 2000 and “died” on November 30, 2021. A day before the release of his album post-mortem, the Bohemian Groove family published obituaries in newspapers pretending that the young actress had died, but it turned out to be the opposite. The king was born.

In a 360 proposal, it’s an advertising marketing hook to get the attention of new people. Who is ‘KING, Dillom’? and what happened to him?

Thus, graphically and symbolically, Dylan eliminated his fear of death that increased during mandatory quarantine due to coronavirus pandemic. And that was his proposal and starting point. The whole concept revolves around death and its worldly rituals.

New friends

At 8:30 pm on Thursday, April 28, the writer had an appointment at the Vorterix Theater. The idea was to attend the actor’s second show, but Upon arrival, everyone indicates that it is a funeral home..

An old black funeral procession car was parked at the door. A wreath of roses on his hood. People with white t-shirts stained with ‘blood’. The others are like zombies. In the hall, some artists wander around and cry because “Dillom is dead”. A table with a black tablecloth, photo frames with pictures of life, candles and red roses; stamps on his face.

Dillom opened the door for us to live the experience post-mortem. Attend a ‘wake’ where people poked each song they had, drank beer without fear and hinangued the classic olé olé where the beautiful recital would begin: “Olé, olé, olé, Dillom, Dillom”. Applause and lots of expectations.

The light is off. The unmistakable voice of Mario Pergolini narrating Demianhis fourth track on the album, which was inspired by the novel by German writer Hermann Hesse.

With lots of smoke resembling darkness and funerary drawers, Dillom appears on the scene. Men and women crowd the stage. The pogo has already started and won’t end until the last song to play, number 21.

“My friends are dead, I didn’t accidentally kill them.” This is how the show started where people were singing madly, crying and repeating lyrics from memory. And so, subject matter.

Rili Rili, Floor 13 and Side rang at the Theater located in the Buenos Aires neighborhood of Colegiales. It all seems to be falling apart, but it’s just beginning.

Punk and cumbia?

“My money tanga ka, I have money, asshole. I took seven Rivo ‘, I think I need help “, Dillom shook his head on the stage, approached his audience, like another. He was followed. hegemonicthe song he did in collaboration with L-Gante that shook a cumbia and also has electronic. “And she blows it like a harmonica, ah.”

And so Broke Carrey came to the scene to put on the table the song that had just come out of the oven — it was released 48 hours ago — and its video clip has already been censored by YouTube.

“They want to lower the video because there are too many eyelets,” he reasoned. Now, I think, what a chance that the platform has downloaded a video where there are bodies with cellulite in the foreground. If it’s white reggaeton, hegemonic and marketer -capable, it will pass without a problem. chance?

Asap, Casipegado, Kelly, Coach and Dudade they sound, they sing and pogue. People no longer knew where they stood. I see the sea of ​​people trembling as if there is no tomorrow. I look at everything from the upper stalls, press and visitors. So that’s 360.

Follow him side, bicycle and Dillom appreciates everyone’s patience. Now the most fana, the first to get a ticket. Everyone was shouting, they already knew, everyone knew. “Sarah, Sarah.” Saramalacara, a member of RipGang and the singer’s girlfriend, entered the scene to sing and jump Rocketpowers.

Horror story

All excited raised the cell phone with the camera light turned on and sang the anthem that binds them to this ceremony. 220Dillom’s favorite song, the most emotional and the one that tells the story of his life. “I can tell you about my life if you like horror stories,” he sings.

The first sounds that will continue coldness of mood because it will come later take over and children will shout as if they were sick people the forbidden word, the unspoken, the politically incorrect in which it rhyme. take over. Yes, fappy.

And then came theme 20, where Dillom closed the show. The most symbolic, true and convincing. New friends. Dillom was not in his wake, he was ‘at a birthday party’; on his birthday. Now he has people who follow him, love him and bank on him.

“One more, one more.” truth, the selected song to close. Pieces of paper everywhere and that paradox that identifies Dillom. Unravel reality. “And we went to that dance to see. I collapsed and stepped straight in, they didn’t even check the list. Next to the table we have the Insta models. And by their faces’ it’s as if they haven’t seen an artist. It’s a reality show. “

Sounds like dirty rock, punk, the origin of Dillom.

bohemian groove

Dylan León Masa sang on his own record label Bohemian Groove, consisting of Muerejoven, Noduermo and Rama. “The label belongs to the four of us and it was born to provide a legal framework to all of RipGang, which is all our group of artist friends who played together,” Dillom said.

The Rip Gang is the crew (team) of artists consisting of: Broke Carrey, Odd Mami, Saramalacara, Ill Quentin, Muerejoven, K4 and Taichu. This artistic group of people is joined by urban music, street art, design and production.audiovisual production. They are more than just musicians. They will soon be presented at Primavera Sound Buenos Aires.

Fran Caiella, PR and press artist, defined Bohemian Groove in a simple and concrete way: “It’s a collective of artists that, beyond the musicians that make up it, is made up of a giant group of people who can turn synthesized in a family. ” “I’m an artist with my own label, which is sometimes funny and it’s like a family business,” Dillom said.

Ten reasons to be different

What is it about Dillom that is enticing? I can name a few points that differentiate him from the sea of ​​several recurring artists.

Isa. He’s not a ragpicker, he’s a rapper. He came from the underground scene of punk rock, rap and hip hop.

Two. The story of his life is strong. The mother was jailed for “being with a bad meeting” and arrested for drug trafficking. His father started another family and converted to Orthodox Judaism. He does not fit into either world and that is why he chose to live with a friend, his mother and his grandmother, who are now his family by adoption.

Three. It demonstrates a concept that closes on all sides. He removed his fear of death through his art. His crew was called Rip Gang and on the day of the presentation of his debut album post-mortem, published an obituary in newspapers as if he had died. In fact, he was born again to give birth to his songs.

Four. Many compare him, either because of his ‘Spanglish’ look or rapping, with Eminem, who is one of his greatest idols. Maybe he wanted to look like her or maybe genetics just helped him.

five. This is different. Far from performing trap or reggaeton, he refuses to pigeonhole his art into one genre. It does everything and sounds great. “Honestly, I don’t feel 100% represented as a rapper or a rocker. With the term ‘trapero’ is the one I least identify with,” he tells Clarion.

Six. He broke it in Lollapaloozaa festival where many met him and many others ran so as not to miss his show that ranked him as one of the best in three days.

seven. It had the approval of greats like Fito Páez and featured the voice of Mario Pergolini in one of his songs. He was also flattered by Emmanuel Horvilleur. They seem to like the consecrated ones, the Dillom.

Walo. On his first album he caught the attention of many, including those who criticized him. His fight with Duki is not as true as it sounds. Even now, Dillom is flirting that he can sing along.

Siamese. He is the star of BZRP Music Sessions #9 with 94 million views so far. Criticized, misunderstood and finally accepted, it became a catchphrase that identifies the artist, seeing it stamped on t-shirts and it’s a concept. “It’s a trap, yours is rubbish “.

Sampu. In BZRP Music Sessions #9 there is a good definition of him that closes anywhere: “DILLOM. Being thoughtful is distracting responsible for the last wave of the moral pandemonium of the Argentine Trap”.

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