ElBicho Gómez: How was his particular childhood, what bothers him most about being famous and his daughter’s wonderful gifts?

Since I was a kid flame defect Gomess Have learned The motto that will accompany him for the rest of his life: Take things with humor. And he never let go of it in his eclectic career, where he did everything.

His peak of popularity was achieved on television, but at first George Ginsberg, He immortalized his mythical character “The Bad Waves of Clowns”, and Dancing for a dream, In 2014 he was the champion of Anita Martínez, but he also learned that multifaceted artists continue to learn without sticking anywhere.

With his artistic heritage and the training of patrollers touring with his family circus from an early age to the age of 27, his life was to reach his destination, camp and rest. ..

Circus was his wonderful school And it allowed him to approach other areas such as jugglers, clowns, trapeze artists and even ushers. A tool he later entered and honed in the famous theater and clown group La Banda de la Lisa in the 80’s.

From the age of four, which he remembers as the beginning of his artist career, to the current age of 59, El Bicho is in line with the premise he vowed to fulfill as a child and to live a life with humor. I never stopped.

Here’s how to print a distinctive stamp at noon this weekend Morphy rock (Telefe) And again from Thursday to Saturday at the table to interpret 39 steps At the Piccadilly Theater with Fabian Vena, Freddie Biyareal and Andrea Rincon.

“This piece is great for actors and can play a variety of characters. It reminds me of the first steps in the theater with a laughing band. It’s a theater of that style with many characters. It’s a lot of fun. “He enthusiastically says. ClarionAs if it was his first work.

There are earrings, but: “I want to do striptease and comedy. I also want to do a purely humorous program again. I would like to sketch with my friends, but I will sketch with Campi and Gabriel Almiron (the actor who played Paco Tiro at Don Mateo’s hairdresser). “

-Did the theater cost after the pandemic?

-It was something we had to deal with, but fortunately everything is pretty normal. Other than that, I want to go out. The actor wants to act. The post-pandemic seems to have brought us good results. It did the theater well.

-What is your routine or ritual before the performance date?

-During the day, I concentrate on my family. I get up at 6.45 to take my kids to school. I live a normal life as much as possible. And if I have the time, I like to write monologues and review plays. I’m not standing still. And at the age of 17, I start a kind of ritual from preparation. Examine the lyrics a little. My favorite time is to get in the car and go to the theater. I choose some little music to energize me, and when I arrive, I always start joking with the rest of the cast.

-How volatile the actor / comedian profession, have you seen yourself at this stage of your life in your career?

-Not so, but I was a little crazy about what was happening. I don’t know if I was looking for it, but I was prepared for what was happening to me. I started at a very young age in the circus when I was four. And it gave me all the tools. Beyond being big and logical, I started meeting producers, actors, and that path took me and surprised me. I always prepared not to disappoint the person who hired me, and that was the way I made the way, it was really great. What I want most is to continue acting, directing and writing.

-Are you still linked to the circus?

-I continue, my family is still in the circus, and during the winter vacation I make my first kick. I always go back to my roots. I like kids seeing me where I grew up. It’s a trip I always make to connect with those roots. Now I’m overseeing Silk 21. And at that show I appeal to nostalgia. When someone older goes with his son, we appeal to him to remember his childhood when he went with his father. It’s great to see my dad, my boy, and my boy’s son all eating popcorn and laughing at the same thing.

-And has your vision of the circus changed with the advent of modernity and the progress there?

-For me, it has evolved and changed a lot. I traveled through the countryside, but there were no roads. Now there are highways and mobile phones. It’s all connected. There used to be animals, but now they aren’t. Today, everything is more theatrical and more modern.

-And do you like that contemporary concept, or do you like the old circus tradition of traveling tents and exotic animals?

-I love animal-free circuses. As a kid, we traveled with elephants, lions and tigers, but I didn’t get close to the cage. I was afraid of those animals. My dad was a monkey trainer, so he had a connection with chimpanzees. So he was like a pet at home. But to this day I didn’t want to keep animals at home.

-Did you miss a lot by living that cyclical way of life?

-Well, I was only in elementary school. I don’t have a high school. Because when I went to school, I couldn’t take a free exam or everything I could do today. It’s like studying in a remote location or on a computer without seeing anyone. Then, no, and what happens in the circus is that when you are small, you have a clear destiny. Your profession is over.

-What do you mean?

-I was 12 years old and was already included in my family number. He stunted, was an asset, and was part of the family economy. You have a clear destiny. But I didn’t suffer. The exact opposite. Growing up in the circus is a wonderful world. You may play all day long. It all starts as a game, with clown uncles and uncles flying in the sky.

-In the newspaper on Monday, is it better to live in one place or as a nomad?

-They are two different things: Circus now has mobile home, computer and all the tech at your fingertips. The life made. I especially like this quiet life at home. If there’s one thing you can’t miss, it’s travel. That’s difficult for me. I like to be quiet in some places. Stay in one place. The trip was the most oppressive to me. Setting up and lowering the tent made the whole process of moving from one city to another very tiring.

-Is it difficult to exchange humor in an era of constant political correctness?

-Creating humor is complicated. You must be free to make people laugh and suffer from the consequences. It’s hard to break humor. From time to time, adapt to the current situation. For example, I like black humor. And it obviously affects others. But then do we have to stop making such jokes? And that’s what’s happening to us Argentines as a society. Oh, but suddenly when a tragedy happens, I visit Twitter and social networks and see many people writing black humor cataracts. So it’s weird … but yes, it’s difficult on TV. Every time I go, I value my humor. In the meantime, when I play, I don’t betray myself and do whatever humor I like.

-But there are also groups of people who blame past humor. For example, that of Olmed and Porcel, or, more recently, that of the cafe fashion style that has been highly criticized by the new generation …

-And yes, there must be someone who still likes humor Fashion cafe. But those people, say that, can’t you laugh at what you like? The thread is ok. Or what? Are you going to tell Miguel del Sel not to have any more humor? For this reason, no kind of humor should be prohibited. If you enjoy it, you can go see it at the theater. It’s a personal choice. Well, anyone with such humor needs to be careful when he goes to TV. You have to adapt to where you are. For example, I’m happy to have a humorous style like Florencia Penha’s new TV show. There must be diversity. Then you may like it or you may hate it.

-Is there a driver to replace Jorge Ginsberg?

-No, they are unique people. You don’t have to find another. it is what it is. It was clear that the man was a writer, publicist, journalist, humorist, doing a lot alone and having that very special humor.of Informal morning We are on the verge of ironic humor, black humor, and it is now difficult to find that humor. And the one who does it right. Wearing it, if you go to the theater to see Fabio Posca or Jose Luis Joya, you know what you’re trying to see and can’t say anything.

-What is your relationship with money?

-I’m a spender, money sucks me two balls. I am fair and save what I need. You need to indulge in life and enjoy money: as a family we travel a lot.

-Did you suffer from fame and exposure at some point in your career?

-Even today it is difficult to adapt to fame. Fame is a nuisance. It may feel unnoticed or unnoticed. Sometimes it helps, sometimes it’s not so many. In my case, I’m a comedian, so I’m not overwhelmed by the streets. At best someone passes by and tells me: “Hey, bugs”, “Fat haters”. I like meeting with the masses. But on the other side, there are those who think you like them and those who don’t know how to take a selfie for a photo. The most worrisome thing for me is when I’m eating, they tell you “I don’t want to fuck you”, but that’s it, they’ve already done it.

-In order to reinsert yourself into the TV, it seems you have to accept that it’s part of a reality show.How was your experience at Cuts and sweets??

-It was made by a friend and I wanted to enjoy it, so I realized it. But yes, television has changed a lot. Now everything is real. There are no comedies, no strips, nothing. To tell the truth, it doesn’t bother me so much. Friendly people participated in the production and enjoyed it, but I don’t like being exposed too much. Humorous and Australian made, there is something I want to do. smile It has a name. There are 10 comedians trapped in the room and they have to make each other laugh. You have to try to make others laugh so that he loses. I don’t think they dare to do it here.

-And do you see any reality?Have you been invited to Master Chef Celebrity oa Famous hotel??

-They didn’t offer me anything. chef I think it might be.However Hotel I wouldn’t have gone. I know what it is, but at that time there was a novel played by my daughter, and I have to put up with it, so I don’t see much.

If the father is the father, the child is also the child

Rocío Gómez Wlosko was 24 years old and always wanted to be an actress. In 2021 he appeared in the casting of Our first person (telefe) Not to mention that she is the daughter of Bicho Gomez, she was finally left in the novel that plays the daughter of Benhamin Vicuna.

The comedian laughed, “I can’t complain. He made a brilliant change in his father. He went from me to Benhamin Vicuna.”

But then El Bicho becomes serious and says he is proud to see his daughter realize her dream.

“Terrible happiness. It’s great that she gives way. She’s already destined. From an early age I saw me dress up and act. Her mother is a dancer and choreographer. It was a big surprise as she went to casting with her parents and her obvious path of artistic acting, and after they chose her, the production people I was a father I found out that there is a big advantage for her, “he explains.

HA