In front of the microphone Iser, where he is a teacher. María witnessed Marcelo Tinelli’s beginnings with Badía. After his fame, he reinvented himself. (Photo: Luciano Thieberger).
National Corn Festival, Chacabuco, 1970s. María, 18, an amateur presenter, feels the tachycardia inside her a flowered dress made by the best seamstress of those payments, her mother. You must present paired with a famous Buenos Aires presenter. Her question, a certain Juan Alberto Badía, dislodges her, wakes her up, takes her to the capital to change her life.
-You have conditions. Why don’t you go to study speech in Buenos Aires?
María Ester Sanchez in the 1980s, in a yerba mate commercial
María Ester Sánchez was a recognized voice in the land of Haroldo Conti and the Carolina poplar. She worked in Don Martini’s small business, owner of a record shop and the closed radio circuit in which a loudspeaker was installed in the homes of subscribers, but she did not consider herself a professional of the air. AndThe board encouraged her to try her luck at ISER and Cosal. He performed perfectly on both of them.
The exam of the radio education institute was taken by the announcer teacher Juan Ramón, Badía’s father. At the time of singing the notes, the man named everyone, but Sánchez jumped. “What about me, sir?”he asked timidly and fearfully, and praise followed. «Are you the lady of Chacabuco? She has the highest note. I would not need to participate in the race ‘.
Graduated from ISER, today she teaches at the same cradle of broadcasters and at the National University La Matanza. Few know what her life is, how she followed the path of one of the queens of radio image with Silvia Chediek. She has shone in every station that has existed, she has been a mother twice, she is a grandmother four times. He had cancer and now – incredibly – he hopes: that someone remembers that voice and gives him the green light.
Together with Badía in Radio Image.
There is a phrase that has perpetuated it in the memory of a generation: “The soft yerba that does not melt because it is from Marías “. In the 1988 commercial directed by Juan José Stagnaro himself, the red with a crimson mouth and obelisk heels woke up a country with a sensual tone, pure mateada: “One minute to seven. Temperature 16 degrees, humidity 68% “.
Radio Antártida, Del Pueblo, El Mundo, Rivadavia, Colonia, Belgrano, De la Ciudad, Del Plata, FM Horizonte. Enumerating the stations he attended is like diving into a compendium of much of Argentina’s listening history. He was partner of Berugo Carámbula, Juan Carlos Altavista (“Minguito”), Juan Carlos Mareco, Andrés Percivale. He shared the air with Blanca Cotta, Revered, Favio Zerpa, Canela, Luis Garibotti. Y it replaced “monuments” such as Rina Morán and Beba Vignola.
In the Juan Alberto Badía studio at ISER. (Photo: Luciano Thieberger).
“Má”, as Juan Alberto called him, attends the construction of that rookie Marcelo Tinelli from Oral sport to which “Beto” sent Free stone. They shared the mythical cycle of Rivadavia FM in which Badía decided to baptize it the panther of the show to which to entrust more than the phrase: with the music of The Pink Panther he presented her as the great theatrical and musical commentator.
“Juan was demanding and suddenly he could ask Marcelo: ‘How was a game of boules like that?’ ”, it rewinds and its voice is filled with knots. “There were no computers and Tinelli had 800 written sheets, all well prepared.”I answer you, Juan Alberto ‘, I was saying. It was fun and fast. “
As a consecrated voice in the 1980s, lthe job offers more than raining on him, they were raining heavily. Came to introduce Mercedes Sosa in some tours and Luis Landriscina with Mamerto Menapace at the Luna Park. Time for talks with Miguel Abuelo, friendship with Piero, guide of BA Rock festivals. He feels light years away, but he doesn’t lose faith: “I’m still waiting for a job to get me back on the radio. Hopefully. I know they keep me in mind, but they don’t call me.”
“);}} var currDuration = $ (‘#’ + currId + ‘.jw-text-countdown’)[0].textContent; $ (‘#’ + currId + ‘.jw-title-secondary p’). text (currDuration); }} if ($ (“# embeb_FnKidwTP”). children (). length> 0) {setTitle (“embeb_FnKidwTP”); } else {jwplayer (“embeb_FnKidwTP”). on (‘ready’, function (event) {setTitle (“embeb_FnKidwTP”); var labelVideo = JSON.parse (jwplayer (“embeb_FnKidwTP”). getPlaylistItem (). comscore); ns_ .StreamingAnalytics.JWPlayer (jwplayer (“embeb_FnKidwTP”), {publisherId: “6906409”, labelmapping: ‘c3 = “‘ + labelVideo.c3 + ‘”, c4 = “* null”, c6 = “* null”, ns_site = ” ‘+ labelVideo.ns_site +’ “, ns_st_dt =” ‘+ labelVideo.ns_st_dt +’ “, ns_st_pl =” ‘+ labelVideo.ns_st_pl +’ “, ns_st_ep =” ‘+ labelVideo.ns_st_ep +’ “, ns_st_pr =” ‘+ label_Video.ns. “, ns_st_mp =” ‘+ labelVideo.ns_st_mp +’ “, ns_st_cl =” ‘+ labelVideo.ns_st_cl +’ “, ns_st_pu =” Clarin Digital “, ns_st_st =” ‘+ labelVideo.c3 +’ “‘});}); } jwplayer (“embeb_FnKidwTP”). on (‘pause’, function (event) {var passId = “embeb_FnKidwTP”; var site = “clarin”; if (site == ‘clarin’) {if ($ (‘# customTitleFor ‘+ passId) .length == 0) {var title = jwplayer (“embeb_FnKidwTP”). getPlaylist ()[0].title; // $ ($ (“#” + passId + “.genoaPlayerV3 .vjs-overlay.vjs-overlay-top.vjs-overlay-background”)). addClass (‘disabled’); $ (“#” + IDpass) .append (“
“+ title +”
“); $ (” # customTitleFor “+ passId) .attr (‘style’, ‘display: block’); $ (” # “+ passId +” .jw-media “). addClass (‘degraded’);} else {var curTitle = $ (“# customTitleFor” + passId)[0].textContent; var newTitle = jwplayer (“embeb_FnKidwTP”). getPlaylist ()[0].title; if (newTitle! = curTitle) {$ (“# customTitleFor” + passId) .text (newTitle); } $ (“# customTitleFor” + passId) .attr (‘style’, ‘display: block’); $ (“#” + passId + “.jw-media”). addClass (‘degraded’); } // $ (“#” + passId + “.jw-controlbar”). addClass (‘disabled’); $ (“#” + passId + “.jw-svg-icon-play”). css (“display”, “block”); $ (“#” + passId + “.jw-svg-icon-pause”). css (“display”, “none”); } else {$ (“#” + passId + “.jw-media”). addClass (‘degraded’); $ (“#” + passId + “.jw-title”). css (‘display’, ‘block’); $ (“#” + passId + “.jw-controlbar”). css (‘display’, ‘none’); $ (“#” + passId + “.jw-display”). css (‘display’, ‘flex’); $ (“#” + passId + “.jw-display-icon-rewind”). css (‘display’, ‘none’); $ (“#” + passId + “.jw-display-icon-next”). css (‘display’, ‘none’); } sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘pause’); }); jwplayer (“embeb_FnKidwTP”). on (‘play’, function (event) {var passId = “embeb_FnKidwTP”; var site = “clarin”; if (site == ‘clarin’) {if ($ (‘# customTitleFor’ + passId) .length! = 0) {$ (“# customTitleFor” + passId) .attr (‘style’, ‘display: none’); $ (“#” + passId + “.jw-media”). removeClass (‘degraded’);} // $ (“#” + passId + “.jw-controlbar”). removeClass (‘disabled’); $ (“#” + passId + “.jw-svg-icon-play” ) .css (“display”, “none”); $ (“#” + passId + “.jw-svg-icon-pause”). css (“display”, “block”);} else {$ (” # “+ passId +” .jw-media “). removeClass (‘degraded’); $ (” # “+ passId +” .jw-title “). css (‘display’, ‘none’); $ (” # “+ passId +” .jw-controlbar “). css (‘display’, ‘block’); $ (” # “+ passId +” .jw-display “). css (‘display’, ‘flex’) ; $ (“#” + passId + “.jw-display-icon-rewind”). css (‘display’, ‘none’); $ (“#” + passId + “.jw-display-icon-next” ) .css (‘display’, ‘none’);} sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘resume’);}); jwplayer (“embeb_FnKidwTP”). on (‘firstFrame’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘start’);}); jwplayer (“embeb_FnKidwTP”). on (‘complete’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘complete’);}); jwplayer (“embeb_FnKidwTP”). on (‘adStarted’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘adstart’);}); jwplayer (“embeb_FnKidwTP”). on (‘adPlay’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘adplay’);}); jwplayer (“embeb_FnKidwTP”). on (‘adPause’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘adpause’);}); jwplayer (“embeb_FnKidwTP”). on (‘adComplete’, function (event) {sendData (jwplayer (“embeb_FnKidwTP”). getPlaylist (), ‘adcomplete’);});
Marina Zucchi
Source: Clarin