It was more or less calm, conversational, but once the nerves of returning to TV were checked, the Chiqui could not with his genius. She fixed her pale eyes on Moria Casán and, between affectionate and demanding of her, asked her: “Love me and Susana”. In that instant, on the alleged neutral ground of Mirta’s night, a new round began in the eternal struggle of the divas.
Although the dart was fired by the El Trece cycle host a few days ago, the fuse has been lit, once again, on the firewood of rivalry between her host and Susana Giménez. They are not friends, they say they have been good companions, they move more like intimate enemiesand when – once – they are face to face, they are all kisses and compliments.
But they become protagonists when everyone is on their stage, and one pulls, the other responds, the other replies and then a juicy media fabric is formed to be cut.
In fact, last Saturday 17 Mirtha wanted to clarify the doubt, Moria replied, after a brief “Oh, what a question for me costs me an egg to love“and on the following Tuesday at the Aeroparque, recently arrived from Punta del Este, Susana had already been forced to pick up the glove.
Is there a real conflict? Or are they just two people who, from a distance, feed the difference game? Are they so different? Yes.
the last lap
“I love you very much, I admire and respect you. I also love Susanbut we have never been friends. There is one thing that, I don’t know why, people have … It must be because we were the blonde and the brunette, that at some point we worked together with Olmedo and Porcel. We were the four stars, there wasn’t one more than the other. In the theater I led, and in the cinema Susanait was a rule we had ”.
Until there Casán was more than Moria.
Then – sitting at a table where there were three other guests – he sharpened the pencil of verbal subtlety to clarify that “we have been very good collaborators. But contrary to what one might think, she came to see me at the theater and I never went to see her. Myself I didn’t create any programs (in) that needed it“. Moria went to Su’s living room repeatedly.
She continued: “They always put us in competition, but I don’t feel like a diva. I think I’m rowdyI feel like a disruptive mine. I dare many things more than you“.
Two and a half days off. The camera goes to the Aeroparque, the TV phones are waiting for Susana. She that she says: “They told me that Mirtha asked Moria about me, but I didn’t hear what he said, I don’t care“.
The dynamics of the connection
They have known each other since the 70s and they started sharing posters in the 1980s. Separated, each had the deserved name of him, and together they were literally dynamite. For something the successful duo of Alberto Olmedo and Jorge Porcel, emblems of evilThey wanted them in their movies.
The quartet starred in such classics as Surgeons get out of hand (1980) and women are a nice thing (1981), among others, both directed by Hugo Sofovich. And, in the magazine theater, they sparked. But in those golden years they were not trying to differentiate themselves, but to improve themselves.
Over time, each has remained more on their own card. Several sidewalk tiles. And, more than colleagues, they got embroiled in some kind of competition of divas.
Moria doesn’t like to talk about divisions, competition or crack, but usually he is the one who, from time to time, throws a twig into the fire. And Susana, a refugee in an aura of presumed innocencewhat does not burn is done, but neither does it try to blow to put out the flame. If they are looking for it, answer it. And most of the journalism and the public, bitches.
In several situations, Moria defined it as “Albina ora charrúa” Y “Argentine oxygenated”, “Argensu, who lives in Punta Argen” (the latter said in intruders).
Gimenez he doesn’t have his own karate tongue. In November last year, this time in Ezeiza, consulted by a furniture dealer from THEY about something Casán had said, he only dared to tag: “We were excellent companions… Nothing happened, he thinks. She is very opinionated, I am not “.
One is more politically correct when it comes to Chicano media, the other ignites with these things, which he calls “cotillion”.
I don’t want to talk about her, but if you insist …
“I have always characterized myself by speaking when the interior designer was silent. I think I’m better known for my personality than for my work (…) After 40 years, that continue to confront me with the albino now charrúa does not even make me angry”, He told a reporter in the afternoon.
A Clarione, on more than one note, he acknowledged that “since the 1980s they want to talk to me about Susana, but I end up repeating myself. It’s not my fault… It doesn’t do anything new“.
It’s inside Moria is Moria, his last television cycle, in January of this year, in a conversation with Soledad Silveyra, was honest: “I went to his show many times, but I swear to my nephew I’ve never seen him (…) How may I don’t know who Susana Giménez is. I worked with her for several years … it is she who does not know who I am, because every time I go she reads me “With you, Moria Casán”“.
The last part of the paragraph staged as a parody.
In another of his television productions, incorrecton behalf of some “I / my / me / with me”she said that “there is nothing that interests me less than talking about her, because she always does the same thing. She is not a rich woman to get fun things out of her. The only one who pulls them out is (Antonio) Gasalla, because they pay him ”, in relation to the character of Grandmother What was he doing in his living room in Telefe?
Turning the file and appealing to the memory, it is clear that Moria is sent to Moria and Susana sometimes responds and sometimes not. But, when they meet, curiously, There is the scent of a meeting of friends. “With you the monumental Moria Casán”was the compliment with which he received it in 2007 on his show.
She in black leggings and a red blouse and “The Obelisk with Tits”, as the brunette is called, with a bright and tight blue dress. They kissed, they hugged, they were friends all night, they danced to Gloria Gaynor’s rhythm and nothing happened here. Until after a short time the wheel of rivalry turned again Not at all.
through the crack
Their positions in life in general and in politics in particular also support the theory of alleged confrontation. Not because thinking differently makes them rivals, but because sometimes their public statements play a key role. Susana has supported former president Mauricio Macri on several occasions and she usually speaks in favor together for change.
Although Moria said in for two voices (in July 2020) that “to tell the truth, in Macri’s time I managed to save”, He has always moved close to Peronism or Kirchnerism. He was photographed with the current vice president Cristina Fernández. Or the then presidential candidate Daniele Scioli.
paired with Fernando Galmarini, Sergio Massa’s father-in-law, was one of the most sought after figures at the beginning of August to be sworn in as Minister of the Economy. She was wearing a chin strap in the colors of Argentina.
Of Peronist mother and radical fatherclarifies that it is not affiliated with any party, but that sympathize with Peronism. In 2005 she was nominated for deputy for the Federal Movement of the Centerhas collected just over 20 thousand votes, but failed to get a bench.
From the 70s to the 70s
Both debuted in the late 1960s, but They became stars of the show in the 1970s. They have taken a step forward in theater, film and television. On the small screen both insisted on having their names in the titles.
Without repeating and without blowing, he cycles with the word “moria”: The private club death Casan, Monumental deaththe tricks of death, death registered trademark, in bed death, death banana, love and deathBetween death and you, death is death.
The self-referential list of the blonde: Alberto and SusannaHello Susanna, Susana GimenezHello Susanna… we are calling you, special from Susanna Gimenez and Susanna Guest of honor. is less in quantity, even though its seasons were longer. And, as far as evaluation is concerned, Susana wins this one.
Moria was born in August 1946, she was referred to as Anna Maria Casanovabut his artistic name kills the one in the document. He is 76 years old and has a sharp tongue. And every time you call her to talk about previews or lost oxen, this. And if it has to fuel a controversy, it has no problems.
Maria Susana Gimenez Aubert was born in January ’44. He is 78 years old, he has two grandchildren than him it is forbidden to call her grandmother. for them it is Kika. He prefers to give notes on his work and avoids controversy, although from time to time he throws out an unfortunate phrase, such as “Who kills must die”.
The two had a complex, incomparable childhood -Casán confessed that she was mistreated by her grandfather and, Susana, that her father made her a pupil pupil-, each had a daughter (Sofía Gala Castiglione and Mercedes Sarrabayrouse), had known partners, knew the successes and failures, one was a dam in Paraguay, the other had and has complaints around (the latter has to do with AFIP).
They have some points in common and many differences. Divas or vagabonds, as they want to call themselves, if they returned to zero and reunited they would be, more than good companions – as they say -, an explosive formula.
The albino and the karate fighter sounds interesting as a title, but they will surely want to add the Moria and Susan. OR Susanna and Moria? Note that at this point the poster could also be a song. Who are you, mom?it seems.
Source: Clarin
