He says margot robbi who left every last ounce of energy creating the character of Nellie LaRoy, a young woman determined to become an actress in a Hollywood full of excesses at the end of the silent film era. “She seemed to be on fire,” her co-star describes admiringly Brad Pitt.
In terms of acting, at least, there will be a before and an after Babylon for Margo. She recalls that when she had to play Nellie for the first time on a Paramount set in Los Angeles, she thought she had done an extraordinary job that she had prepared for during the months when Covid delayed production.
“It’s perfect, but I need you to give more,” asked director Damien Chazelle. “Much more”. She had never worked so hard for a role since she broke ground in 2013 with her iconic Naomi Lapaglia, Leonardo DiCaprio’s hot wife in The Wolf of Wall Street.
The kiss he stole from Brad Pitt
“I’m exhausted, Nellie demands attention 24/7. It’s the most demanding role of my career,” she says she complained to her husband shortly after filming began. There is a scene that describes her surrender and places it in the film poster, where she is carried on a litter to a party filled with drugs, sex and jazz on a hillside in the fledgling Hollywood Hills in 1926. Possessed, unfiltered, she becomes He sees her dancing like on fire, Brad Pitt is right.
The characters of Margot (Nellie LaRoy) and Pitt (Jack Conrad) rub against each other, but they don’t come together in the film’s narrative. Conrad is the highest paid movie star in Hollywood who will eventually fail to adjust to the advent of talkies. Showing off a fake Italian accent, collecting wives, little ties him to that aspiring star.
However there is a scene where Nellie kisses him. They had been together for 3 movies but this is the first time their characters interact. The kiss was totally improvised, Margot confesses. It wasn’t in the script, but she wouldn’t miss a chance to kiss Brad Pitt.
The karma of being blonde in Hollywood
The Australian actress had just arrived in the United States when she was discovered by Scorsese, who assures her that she only needs to appear in front of the camera to steal all the attention. “You can’t stop looking at her” praises the director of The wolf… And that happens with this film and encourages speculation that perhaps, at 32, Margot is up for her third Academy Award nomination with her Nellie LaRoy, even as punters place her in an embarrassing sixth place.
Her directors compare her to Joan Crawford, to Katherine Hepburn. “She’s Not Barbie,” she captioned the return visit very accurately Vanity Fair. We will soon see her transformed into a flesh-and-blood version of the Mattel doll, alongside Ryan Gosling as her inseparable Ken of hers. She is the protagonist, but she is also the producer of the film, with the company that she founded in 2014 with three filmmaker friends, including her future husband. You chose the director and approved the script.
Despite the substance of her work, Margot is used to not being taken very seriously, she thinks the prejudice is associated with the color of her hair. “They talk money with my partners, they skip me, even if they have no choice but to end up negotiating with me,” she gloats.
What he never gets used to is the siege of the paparazzi. In Australia or Argentina, where was involved in an accident with a photographerShe always feels like she might get hurt. She says it was her mother who convinced her to move forward with her career when she had her first anxiety attack, learning to handle the price of fame.
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Source: Clarin
