Soledad Pastorutti starred in a show of more than two hours that absorbed the different aspects that she has navigated in her 27-year career and has ratified that the stage of the National Festival of Cosquín is his home.
To put from 2.30 pm to close the eighth and penultimate evening of the 63rd edition of a place he broke into in the mid 90’s, The Sun returns to play at home with the complicity of an audience consigned to its undeniable magnetism.
At the other end of the evening and with other aesthetic postulates, Nacha Roldán returned to this folkloric meeting and the charm of his speaking that soars over vernacular genres in a short concert that delighted without artifice and won two awards and a thunderous, appreciative ovation.
The great night of the typhoon
Soledad show, dressed entirely in black in a suit with telluric contours and abundant spaces to make his figure appreciated, he has combined without sound dilemmas the musical range that he realizes under the protection of his singing.
With a big all-terrain band and a personal phrasing that turns everything he performs “in La Sole bits”, the premise of the tour has been fully fulfilled it’s me again, which brought her to Plaza Próspero Molina after a fleeting and surprising visit to Raly Barrionuevo.
So it had a pop start with live is todaymade cumbia with Your brand and shared with Nahuel Pennisi a syrupy version of the wonderful back prayerby Jorge Fandermole.
“This night with a full, full piazza is wonderful. They excite me, they make my soul happy. I am 42 years old, I have reached this stage with 16 and the desire remains the same”, he expressed in his welcome in which, in addition, he asked for the presence of his sister Natalia in Cosquín.
In that flurry of styles there were Creole passages of little finesse (with fragments of the forgotten ones, Enter my payment without hitting, To Don Ata, La Lopez Pereyra, Perfume of Carnival and Zamba to forget you, among others) before inviting singers he met during his television experience of The Argentinian voice.
The award-winning performance of Nacha Roldan -who won the Nelly Omar 2023 and Camin Lifetime Achievement Awards- worked like a flawless singing lesson and interpretative elegance that could well have highlighted one of the Festival’s missions: to put artists far from the foreground back into circulation.
Y although this great performer of the last 75 years she never liked tensile structures and, instead, built her path choosing what to sing and how to do it, this mime received and made of silences, applause and distinctions can help you not stop listening to her.
With a guitar (in the hands of Roberto Calvo) and an accordion (played by Facundo Torresán), the singer very briefly summarized in her presentation some of the stages she has gone through in her musical journey.
Roldán opened his concert with the chamamé villanueva and immediately began it with the jacket old guitaristof which he noted “wasn’t by Alfredo Zitarrosa, but he popularized it”.
other women, Magali Juares and Laura Molinasthe two who support the proposal of Ciudadanas, accepted a risky proposal with the prominence of the incendiary flute of Molinas (Apocalypse 2022) and came out of the challenge with flying colors.
In front of a quintet with a couple of relevant names like Milagros Caliva (bandoneon) and Nahuel Quipildor (guitar), Ciudadanas showed his substance, not without nuances, and the vocal power of Juares in Juana Azurduy Y Santiago heart which respectively opened and closed the set.
Maybe with Consecration 2022 as weight, Nahuel Pennisi had a hard time finding the best color to blend his romantic vein with the folklore that Cosquín connotes.
The musician, author and singer has made classic celebrations with his signature, among which there were I owe you nothingcombining spring and mine Y World.
The final touch to this 63rd edition will have that Sunday Néstor Garnica; Lucia Ceresani; Flower Peace; Franco Luciani; the tribute to Juan Carlos Carabajal who will dominate the visit of the Delegation of Santiago del Estero; Tribhu; Daniel Cuevas; Milo; and Abel Pintos.
Sergio Arboleya, Telam Agency
Source: Clarin