When Diego Armando Maradona was the star of the impossible news, Ignacio Bulian hung his imitation with the same care where he hung his shirts of the Gimnasia y Esgrima La Plata collection. Instead of “clapping” the character and reviving him with a voice from the afterlife, he detailed the rivalry and fell silent. “This is out of respect. I think, in deaths you have to let a reasonable time pass,” judge one who reproduces the voice of 50 or more creaturesa lot of tones.

Forger of voices, from the North neighborhood, 35 years old, announcer, walking comfortably in the color of the voices of Lionel Messi and Alberto Fernández. Her palette seems inexhaustible. Go viral with your Dance by Paulo Vilouta, he could speak like Pope Francis and the second he mutated into Claudio María Domínguez, Carlos Tevez, Guido Kaczka, Julio Bárbaro, El “Kun” Agüero. It was Marcelo Bonelli’s cloning that was the most repetitive 16 years of workbut your business is not just based on on-the-spot duplicates.

He wakes up at 5:15 am and divides his energy into three jobs. From Monday to Friday, from 6 to 10, he will be with Santiago del Moro at La 100 at The Moorish Club; continues with Diego Leuco, from 4 to 5 pm on Miter, and in the evening (Sunday through Thursday from 11 pm to 12 pm) it is broadcast with more voices and unusual silver news in the cycle Beauty and the Beast, by TN, with Carolina Amoroso, Nicolás Wiñazki and Lucía Salinas.

“I think you have to always throw yourself in the pool and dare to show a voice in the air, even if it’s not perfect at first, and then smooth it out,” explains one who, in order to “breed”, records , listening, records again. Enjoy the voice entertainment of Luis Ventura and Alberto Cormillot even more. “Luis, controversial, I can make it work anywhere, he can talk about shows, but also as a soccer coach, he always has a video up his sleeve to show,” he laughed. “From Cormillot, I take advantage of the sexy, seductive side”.

Look back and see those thousand steps until you reach the firm where you stand today. He left Communication CBC at UBA and a job as a cadet at an agricultural company when he started at Miter in 2006, a month trial as a production assistant. At that time she had to face an audience contest for Mother’s Day, she collected messages, she wrote them with determination, until she received confirmation of admission to the station which her fans listened to. parent in history.

The first mission was to bring coffee to Magdalena Ruiz Guiñazú, the familiar voice with which the Bulians have eaten breakfast for two decades. Gradually creating his own agenda, he continued to work with Santo Biasatti and Ernesto Tenembaum, and the departure of the Dady Brieva program took place: In collusion with then -consecrated Ariel Tarico, he put interventions on the air, with characters like Doddy Biava.

A video posted on Facebook ended up positioning him where his vocation is. Days before vacationing in Uruguay, he uploaded a three-minute sketch in which he played Marcelo Bonelli and Coco Basile, while his school friend, Francisco “Pesky” Mues, now a comedian, imitated Chiche Gelblung and Mostaza Merlo. . They got off the plane and heard the unexpected message: “Nacho, we saw your video. We also want to try your friend.”

Over the test, everything is promotion … He had to have five jobs at once (between Pop, Radio 10, El Trece and C5N). In December 2016, with Del Moro’s move from Pop to La 100, Ignacio returned to Mansilla 2668. The Moorish Club -the most listened to radio program, with Maju Lozano, Catherine Fulop, Costa, BB Sanzo, Fernando Carlos, Marcela Tauro and company- makes him the humorist with the largest audience.

-During the cancellation, does the development of humor imply thinking twice about a joke before it is released?

-Yes. Others said, “I’d rather apologize than consent.” Not me. Things changed and I was wondering what to say. I will not allow myself to do something that will hurt the listener, which is very honest.

-And how do you stop thinking about susceptibilities and not oppose improvisation, against freedom, not as a prisoner of self-censorship?

-This is a very good limitation. Before you say the first thing that comes to mind, now to avoid making an unfortunate comment I put the brakes on: for making a joke too much you won’t get heaven. I don’t want to feel bad, not to no one else. Everything you say has consequences. And you have to manage.

-Why do you think your way of connecting with the world is humorous?

-I’m always shy, using the characters I have to shield. I don’t know of comedians who aren’t shy, most of them. Hiding with little monsters encourages you to do a few things.

Bulian grew up on television with a certain flaw that is being examined today, The Benny Hill Show, or the gags of Alberto Olmedo, Javier Portales and Jorge Porcel. He was also raised in the meanness of The 3 Stooges. Son of an air force employee and a teacher, the joke wasn’t exactly the resource that reigned in that house, but he successfully brought her to San Miguel school.

In the last years of school, he signed up for orientation in Social Communication, tried to make radio in that space and was convinced he wanted that for the future. Graduated from high school, paid for a space at a station of Valenín Alsina and vice came out Wednesday night, along with some friends. Music is one of the best seasonings I’ve seen for humor. He composes, plays guitar, most of the things he now moves into his segments, like “Disco rag”, is probably one of the most popular on FMcumbia and irony that can take half an hour to The Moorish Club.

“Trapito”, that character who was born as a collective idea and climbed up to crack on social networks, allowed him a link to Pablo Lescano, who he came to show at Luna Park. It also has its own life off the air: no wonder Bulian is hired for private parties, 15 years, anniversary. He even had to write a song for a wedding, with music from Damas gratis, so that a family in disguise would cheer up the newlyweds.