At 56, the actress Maria Onetto died, with a large and varied career in theatre, film and television. It was confirmed this Thursday by the Argentine Association of Actors. A few minutes later there were details provided by the police.
“It is with great sorrow that we say goodbye to our affiliate, the beloved actress María Onetto. Her prestigious and extensive career includes work in theatre, film and television. Our deepest condolences to her family and loved ones,” he reminded her the union in his Twitter account.
The actress shone in successful strips such as The Lioness, produced by and starring Pablo Echarri, which was seen on the screen of Telefe. Even in movies like wild tales.
police data
The staff of the District 14 B Police Station of the Municipal Police was transferred this afternoon to via Humboldt 2200, in the Palermo district because a woman did not answer the calls.
Once there, the soldiers met the victim’s brother-in-law, who reported that he had not been able to contact her since February 27 and that she herself He had an image of depression due to the loss of his mother.
As a result, and through a locksmith, he entered the house and the woman, the actress María Onetto, 56, was found lying on the bed without vital signs.
When the SAME doctor arrived, he confirmed her dead.
The National Penal and Penitentiary Attorney’s Office Number 24, headed by Dr. Marcelo Retes and before the Single Secretariat of Dr. Santoianni and Dr. Hermida, intervened in the case.
A varied and successful career
As detailed by the Argentine Association of Actors, “His television and platform work includes cycles Maradona, Blessed dream, Winds of water, Women killers, Montecristo, Treat me well, Tv for inclusion, 12 houses, In therapy, My brother is a clone, The party, among others. In the cinema you have worked in I girl, I princess, Wild Tales, The blonde woman, Lost, Life after, The blacksmith, Four barefoot women, among other films”. His extensive stage career was also highlighted.
The beloved actress María Onetto graduated in psychology, but hers was the theater. She came on TV with Monte Cristo and then ventured into directing actors.
She herself mattered its beginnings in an interview with clarion in 2011:
“Being an actress never crossed my mind. I was very diligent and books excited me. My father died when I was one year old, something in the family had fallen apart and studying organized my life a lot. I also attended a school in Olivos It belonged to my family, they all worked there, and I really wanted nobody to think I was taking advantage of it.
“When I finished, the idea of continuing to university made sense to me. My sister is a psychoanalyst and I studied psychology. I made the race very quickly, but I graduated and went into crisis with my vocation. At that time I was studying theater with Luis Agustoni, although my first teacher was Hugo Midón. I also did jazz dance, English… I had a busy day. But the theater began to be very important. Early on, it caught my eye that there was a similar kind of sensitivity to me, mixed with intensity, passion, and playfulness.
“Then I entered the studio of Ricardo Bartís. Being there made me realize that this was the world I wanted to belong to, especially Sportivo Teatral. Perhaps a personality like mine would have gone to study theater at the conservatory, but Bartís’ gaze was very strong. He began to train me to teach and the economic possibility of living from the theater appeared.
“I have lectured. The idea of being an actress hadn’t occurred to me yet. It was only when I left the Sportsman that I strengthened, e the first who called me was Spregelburdto produce scratching the cross. My first leading role in the theater has arrived the human scaleThat meant stop playing dumb and tell me “come on, trust me it’s okay”.
“I felt more professional recognition when I did you’ve never been so cute, by (Javier) Daulte. Plus, that job was his passport to TV. they called me for Monte Cristo. I was very happy and all that joy was enhanced by the quality of the novel. There I overcame all the prejudices I might have with the medium.
“While I was doing Monte Cristo the casting for the film appeared The headless woman, by Lucrecia Martel, and to my surprise I was blown away. At the same time they summoned me The death of a salesman, with Alfredo Alcon. He had seen me on television, not even in the theater, he was very intuitive and insightful. I find the bond we have, the modernity of his thinking, his sharp gaze moving.”
Source: Clarin
