One of the photos from the return of “El Marginal 5”, by Netflix.
The first installment of the long -awaited fifth season of The pendant the central themes in the series are painted with thick strokes. In fact, a chapter to identify how the situation of the main characters and from the pieces of history to be able to glimpse what is to come.
By the way, a script that meets audience expectations as it travels familiar paths, though this season seems to have a clearer tone of denunciation. There are all the characters that made the series attractive, Pastor (Juan Minujin), God (Nicholas Furtado), Mario Borges (Claudio Rissi), Sergio Antin (Gerard Roman) and the reappearance after the long absence of Luna Lunati (Maite Lanata), artists also participate Maria Loyal as judge María Virginia Piñeyro strictly and Maria Fernanda Callejon like Martha.
This fifth and final season of The pendant -on Netflix-, there is six stages. Made by Sebastian Ortega with Israel Caetano in the original story, it has several directors, Alejandro Ciancio, Mariano Ardanáz and Minujín himself (in chapters 4 and 5); the screenwriters were Omar Quiroga and Alejandro Quedada, among others.
Juan Minujín, as Pastor, continues to be one of the axes of the story.
The first chapter moves at an interesting pace, jumping from one situation to another in a dynamic ending to being captivating. Now, then remind us of that ended the fourth season on the escape from the Puente Viejo prisonslightly disappointed and from which only Diosito escaped, the action puts us three years later.
Diosito continues to do his thing, but in the field; living in Martha’s house she helps financially with petty thefts of cattle and sheep that she later sold behind a refrigerator, discovered her situation as Martha’s lover as well as her daughter and she needed fled the mistress’s gun threat. of the house in the middle of the night dressed in underwear. A cliche.
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