Home Entertainment Susana Giménez is back in the theater, but she will do it in Punta del Este

Susana Giménez is back in the theater, but she will do it in Punta del Este

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Susana Giménez is back in the theater, but she will do it in Punta del Este

Susana Giménez is back in the theater, but she will do it in Punta del Este

Susana Giménez and Martín Fierro of the brilliant, in the final edition of the awards.

After her appearance in the latest edition of the Martín Fierro awards, Susana Giménez confirmed that it will debut in July to Enjoy in Punta del Este with work skin of judas.

The last to join the cast, which is clearly led by Susana Giménez, is actress Julieta Nair Calvo.

Julieta, who was recently Valentino’s mother, had already joined the first readings before the rehearsal of skin of judas. The rest of the cast consists of Antonio Grimau, David Masajnik, Patricia Álvarez and Sebastián Slepovic.

Susana Giménez, along with bald Julieta Nair, is her antagonist in Piel de Judas.

Susana Giménez, along with bald Julieta Nair, is her antagonist in Piel de Judas.

Winks for the diva

at the construction site skin of judasalready seen on Lola Membrives in 2015, two similar things happened: one, the work itself, with impressive production and a cast on the level of a comedy of this style. And on the other hand, there is Susana, who is the main actress but also the diva that everyone knows. He, Su, the one on TV, the one in the magazine, the one they will see.

In this case, her character, Marion, resembles her (a fun and effective idea of ​​her producer, Gustavo Yankelevich, in choosing the job). What better then: the actress with a role to suit her has the public at her feet. And he was in his sauce, like a fish in water. I know that the first pout was followed by applause.

This is what happens to the charisma of some characters (similar to what happens to Guillermo Francella when on stage). Marion’s character is nice to show, from that mask, some of his characteristics: talkative, funny, spontaneous. When he wants, acid, and, when necessary, naive but not much.

Susana Giménez with Arturo Puig, the director, and the rest of the cast, in the 2015 version of “Piel de Judas”.

Susana Giménez with Arturo Puig, the director, and the rest of the cast, in the 2015 version of “Piel de Judas”.

Susana allowed herself to flirt (something that he never do on television) kasi the theater has the complicity of the rite between four walls, even when there are a thousand people on the other side.

And of course he took advantage of all the winks the text gave him to play on the speculation that existed about him. “I am nobody, I don’t exist. I am in the shadow of my husband“, Marion says to Susana’s antipodes. And later, the character confesses:” I’m afraid of not being loved “, something that perhaps, even among divas, is a combined fear of the public looking at her (ad ).

After 24 years without being on stage, Susana was planted in that work as if a few weeks had passed. Playing the game he was most familiar with and enjoyed, comfortable, with a stunning scenery, created by Alberto Negrín, and a wardrobe that matched his style.

what the work is about

Susana Giménez, at a performance of “Pile de Judas” in 2015, at Lola Membrives.  Photo Rolando Andrade Stracuzzi

Susana Giménez, at a performance of “Pile de Judas” in 2015, at Lola Membrives. Photo Rolando Andrade Stracuzzi

The work of the French Pierre Barillet and Jean Pierre Gredy thing that mattered to him. Susana knew how to shine but did not dazzle or overshadow her cast colleagues, at the time Antonio Grimau, Mónica Antonópulos, Alberto Fernández de Rosa, David Masajnik, Goly Turilli and Marcelo Serre. And they also didn’t hesitate to take part on stage with “the” diva: merit of director Arturo Puig who knows how to show their grace and skill in favor of history.

Susana’s character is the a sharp woman, with great sense of humor, quick, painful, straightforward, direct, clever, naive, one of the most prolific characters in one of the greatest comedies in the history of French theater, whose wife is cheating on him with a younger girl. Deception that, of course, Susana Giménez’s character immediately realizes.

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Source: Clarin

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