For his first production in Hunta spy film, South Korean actor Lee Jung-jae, star of Squid Game, made the guns speak on Friday at the Cannes Film Festival. The film Hi-han (Eo) in its part marked the spirits by its sensitivity to the animal cause.
Lee Jung-jae’s passing behind the camera was considered successful by fans of Heat by Michael Mann – weapons sometimes have more dialogue than actors and actresses – and by fans of Infiltrators by Martin Scorsese, inspired by the Hong Kong thriller internal activities.
However, we may regret an overly ambitious narrative with false flash reminders and a clear taste for hemoglobin.
Spying in the 1980s
Lee Jung-jae, 49, who plays one of the first two roles, set his plan in the 1980s on a South Korean fearing North aggression.
The director-actor plays the head of South Korean foreign intelligence who fights his domestic counterpart in a frantic North Korean mole hunt.
The protagonist seems to be everywhere, perhaps even in the office next door, even in basements where torture is common to get information.
Benefiting from a big budget, the feature film also sees fans of the James Bond franchise with action traveling between Washington, Seoul and Bangkok.
A movie at the height of an ass
The roaming of a donkey victim of people’s madness: at the official competition in Cannes, Yes (Hi Han), by Polish Jerzy Skolimowski, dared to make the animal the main character of a film with a fascinating photograph.
Yes was pampered by his wife Kadandra, a circus actress, whose attentions and caresses he loved, to the day animal activists, ironically, do so. free by sending him to a farm from which he fled.
From there begins a lone journey – despite several encounters with horses – from the Polish farms to the Italian Alps, filmed by Jerzy Skolimowski at the height of his withering.
With the rhythm of Eo’s breath, powerful or jerky, hard when he’s hurt, and with his big sad eyes, the public engages in ass anxiety.
The beauty of the images is seizing, from the dreamy forest to the grip of imaginary fires to the immortal mountains in the sepia, such as the disturbing violence of sounds, the cracking of the whip or crying animal.
Jerzy Skolimowski reverses roles: the donkey, all in innocence and sensitivity, is faced with animals and stupid people, as if they have no soul, or are victims of madness.
A tribute film
After seven years away from the screens, at the age of 84, Jerzy Skolimowski wants to pay tribute to only film made him cry : Random and balthazar by Robert Bresson (1966), where it is more inspired.
Hopefully this film will impress the hearts and brains of manysays Jerzy Skolimowski in a video released on Friday in Cannes, which also denounces the fact that people use the animal for its meat or fur.
The director, a victim of the fall, was unable to travel to Cannes and is currently hospitalized in Warsaw.
Source: Radio-Canada
