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It almost seems, almost a rule. action movie by Netflix they look a lot alike. It doesn’t matter if they are made in the United States, Australia or Argentina. They have a good level of production, but most of them are flat. Y Tubeat least, it has the Jujuy Mountains.
What keeps Pipa a woman in the three films she played Luisana Lopilato it is the sagacity, the Manichaeism to extract information from characters who break, bend and may even die, and that ferocity and strength that only the protagonists of Netflix action films have.
And what was original, or at least held in suspense, was Lostthe first Argentine film produced by Netflix, four years ago, was not as effective with the prequel intuition (2020) and less now with Tubethe closing of the trilogy created in literature by Florencia Etcheves.
Luisana Lopilato says goodbye to the character created by Florencia Etcheves. Netflix photos
The three films were directed by Alejandro Montiel, they had a good production – Guillermo Nieto was the cinematographer of all of them – but what remains weak is the structure. The turns of the script Lostand the eternal sense of guilt of the now ex policeman Manuela Pelari for the death of her childhood friend Cornelia, return, but with the highlighter there are too many underlines.
Several years passed after what happened in Lostand even if Pipa has left the Force – she has been fired – and continues to fight for a mistake she has committed and for which she continues to punish herself, a hair-raising death will have her investigated.
Wounded, Pipa hugs her son Tobías.
He is not in the south, nor in a city, now Pipa lives in the north of Argentina, with his little son Tobías, where his aunt Alicia (the Chilean Paulina García, of the bride of the desert and the series narcos) helps communities that claim the lands of a mining company run by the Carreras.
a hideous crime
Samantha Sosa, a young woman who worked on a family party run by the character of Inés Estévez, appears to be burnt to death on the mountain. Her cell phone has disappeared, but since no one has turned it off, the police – who are very good or very corrupt, with no middle ground – can track him down.
Cruz and her landowner mother (Inés Estévez) talk to the protagonist.
Why does everyone want Sami’s cell phone? Did you have a lot of free data, credit to spend, or was it difficult to find an imported model?
It’s just that something smells bad in La Quebrada, like in Denmark, and it’s not just good Samantha’s body.
Pipa and her aunt Alicia (Chilean Paulina García, from “The Bride of the Desert” and the “Narcos” series), who welcomed her to the north.
Family relationships are, to say the least, complex. Young Cruz seems too attached to his sister, who is about to marry the mayor’s son. There are a few days to go until the elections and Sami’s smoking corpse has everyone in the balance.
Except, of course, Pipa.
Because Tubethe film will deepen racism (“Dirty Paw Indian” is the least that is said to the kollas), class problems, inadmissible relationships.
Pipa lives far from the city, with his young son, and drives a Ford truck.
There will also be hand-to-hand combat and other hand-to-hand stuff, with or without knives and guns, suicide deaths or not, well enough to make the PG-16 movie.
And Pipa, the character who has “reckless behavior”, as we read out there, in something like his file from when he was a police officer, will honor what we already knew him.
Performance is certainly erratic, and that doesn’t help convince us that what we’re seeing is more or less believable.
“Tube”
Regular
Suspense. Argentina, 2022. 115 ‘, SAM 16. Of: Alessandro Montiel. With: Luisana Lopilato, Inés Estévez, Paulina García, Mauricio Paniagua. Available in: Netflix.
Paul O. Scholz
Source: Clarin
