The inexplicable revelation about Jesus Christ that appeared in a stained glass window and raises all kinds of questions

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A stained glass window in a church in Warren, USA, is giving life to a curious representation of Jesus Christ.

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In the artwork, embodied in the stained glass window of the Episcopal Church of San Marco nearly 150 years ago, a figure of Jesus Christ with dark skin can be seenraising new questions about the preacher’s race.

One of the stained glass windows shows Jesus Christ talking to Martha and Mary, the sisters of Lazarus, from the Gospel of Luke; the other shows him talking to the Samaritan woman at the well in John’s Gospel.

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In the work we see Jesus conversing with the women.  Photo: AP Photo/Mark Pratt

In the work we see Jesus conversing with the women. Photo: AP Photo/Mark Pratt

According to experts, it is the oldest public stained glass window in which Jesus is represented as a black person.

the colored glass

The stained glass window is quite impressive: it measures approximately 3.5 meters in height and 1.5 meters in width. In it you can see Jesus Christ in two passages of the New Testament where women appear as his equals.

Those responsible for its manufacture were studio professionals Henry E Sharp, New York. It was commissioned by Maria Carrthe former owner of the establishment, in memory of her two aunts, married into families that had been involved in slavery.

The stained glass window is approximately 3.5 meters high.  Photo: AP Photo/Mark Pratt

The stained glass window is approximately 3.5 meters high. Photo: AP Photo/Mark Pratt

Since 2010, the building that housed the Episcopal Church from the first half of the 19th century has been the home of the Arnold family.

The word to the experts

It is unique and very unusual“, She said Virginia Ragin, professor emeritus of the humanities at the College of the Holy Cross in Worcester, Massachusetts, and an expert on the history of the art of stained glass. “I had never seen this iconography for that time.”

Hadley ArnoldCalifornia architectural design professor and Harvard art historian, said, “The skin tones were nothing like the white Christ you usually see.”

Emeritus Professor of Humanities at the College of the Holy Cross in Worcester, Massachusetts, Virginia Raguin talks about stained glass.  Photo: AP Photo/Mark Pratt

Emeritus Professor of Humanities at the College of the Holy Cross in Worcester, Massachusetts, Virginia Raguin talks about stained glass. Photo: AP Photo/Mark Pratt

Arnold also questioned whether this was a “secret signal” relating to the purpose of the work’s creation. Furthermore, the historian says it makes sense that, for his place of origin, Christ was “a black person, probably from the Middle East.”

The now closed St. Mark's Episcopal Church stands next to grass and an iron fence.  Photo: AP Photo/Mark Pratt

The now closed St. Mark’s Episcopal Church stands next to grass and an iron fence. Photo: AP Photo/Mark Pratt

“For me, being of African American and Native American descent, I think it could represent both people,” she said for her part. Linda A’Vant-Deishinni, former executive director of the Rhode Island Black Heritage Society. “The first time I saw it, she blew my mind,” added A’Vant-Deishinni.

Source: Clarin

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